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'''Five classes of great [[dharani]]s''' ([[Wyl.]] ''gzungs chen sde lnga'')
The '''five great dharanis''' or more literally the '''five classes of great dharanis''' (Tib. གཟུངས་ཆེན་སྡེ་ལྔ་, ''zung chen dé nga'', [[Wyl.]] ''gzungs chen sde lnga'') — the [[Fifth Dalai Lama]] said that the most important relic of the [[dharmakaya]] (Wyl. ''chos kyi sku’i ring bsrel'') in a [[stupa]] are [[dharani]]s.<ref>Bentor  Yael “On the Indian Origins of the Tibetan Practice of Depositing Relics and Dhāraṇī in Stūpas and Images,” in ''Journal of the American Oriental Society 115, (2),'' 1995: 254.</ref> In particular, Tibetan scholars, group together five classes of dharanis, which are inserted as dharmakaya relics. [[Jamgön Kongtrul]] explains that, whether elaborate or short, one kind of each of these five dharanis must be inserted in every stupa together with the ''Kriyayogatantra'', ''Spotless Rays of Light'' (Skt. ''Raśmivimalā''; [[Wyl.]] ''’od zer dri med'').<ref>Kunsang Namgyal Lama, "Tsha Tsha Inscriptions: A Preliminary Survey," in ''Tibetan Inscriptions: Proceedings of a Panel held at the Twelfth Seminar of the International Association for Tibetan Studies, Vancouver 2010,'' (Leiden: Brill, 2013): 25 - 26.</ref>
Tibetan scholars groups together five classes of dharanis, considered to be the Dharmakāya relics (Tib. ''chos kyi sku’i ring bsrel'') of a Stupa.


# [[Ushnishavijaya]] (Skt. ''Uṣṇīṣavijayā''; Tib. གཙུག་ཏོར་རྣམ་རྒྱལ་མ་, ''Tsuktor Namgyalma''; [[Wyl.]] ''gtsug tor rnam rgyal ma'')
#[[Ushnishavijaya]] (Skt. ''Uṣṇīṣavijayā''; Tib. གཙུག་ཏོར་རྣམ་རྒྱལ་མ་, ''Tsuktor Namgyalma'', Wyl. ''gtsug tor rnam rgyal ma'') dharani
# Vimaloshnisha (Skt. ''Vimaloṣṇīṣa''; Tib. གཙུག་ཏོར་དྲི་མེད་, ''Tsuktor Drimed''; [[Wyl.]] ''gtsug tor dri med'')
#Vimaloshnisha (Skt. ''Vimaloṣṇīṣa''; Tib. གཙུག་ཏོར་དྲི་མེད་, ''Tsuktor Drimed'', Wyl. ''gtsug tor dri med'') dharani
# Guhyadhatu (Skt. ''Guhyadhātu''; [[Wyl.]] ''gsang ba ring bsrel'')
# Guhyadhatu (Skt. ''Guhyadhātu''; Wyl. ''gsang ba ring bsrel'') dharani
# Bodhigarbhalamkaralaksha (Skt. ''Bodhigarbhālaṃkāralakṣa''; [[Wyl.]] ''byang chub rgyan 'bum'')
# Bodhigarbhalamkaralaksha (Skt. ''Bodhigarbhālaṃkāralakṣa''; Wyl. ''byang chub rgyan 'bum'') dharani
#[[Essence of Dependent Origination dharani]] (Skt. ''Pratītyasamutpāda''; [[Wyl.]] ''rten 'brel snying po'')
#[[Essence of Dependent Origination dharani]] (Skt. ''Pratītyasamutpādahṛdaya''; [[Wyl.]] ''rten 'brel snying po'')


==References==
==References==
* See Kunsang Namgyal Lama. "Tsha Tsha Inscriptions: A Preliminary Survey." In ''Tibetan Inscriptions: Proceedings of a Panel held at the Twelfth Seminar of the International Association for Tibetan Studies, Vancouver 2010.'' Edited by Kurt Tropper, Cristina Scherrer-Schaub. Leiden: Brill, 2013: 1 - 42.
* See Kunsang Namgyal Lama. "Tsha Tsha Inscriptions: A Preliminary Survey." In ''Tibetan Inscriptions: Proceedings of a Panel held at the Twelfth Seminar of the International Association for Tibetan Studies, Vancouver 2010.'' Edited by Kurt Tropper, Cristina Scherrer-Schaub. Leiden: Brill, 2013: 1 - 42.
* Bentor, Y. On the Indian Origins of the Tibetan Practice of Depositing Relics and Dhāraṇī in Stūpas and Images. JAOS, 115 (2), 1995: 248 - 261.
* Bentor, Yael. "On the Indian Origins of the Tibetan Practice of Depositing Relics and Dhāraṇī in Stūpas and Images." In ''Journal of the American Oriental Society, 115 (2),'' 1995: 248 - 261.
* Bentor, Y. The Content of Stūpas and Images and the Indo-Tibetan Concept of Relics. The Tibet Journal 28 (1-2), 2003: 21 - 48.
* Bentor, Yael. "The Content of Stūpas and Images and the Indo-Tibetan Concept of Relics." In ''The Tibet Journal 28 (1-2),'' 2003: 21 - 48.


[[Category:Mantras]]
==Notes==
<small><references/></small>
 
[[Category:Dharanis]]
[[Category:Texts]]
[[Category:Texts]]
[[Category:Enumerations]]
[[Category:Enumerations]]
[[Category:05-Five]]
[[Category:05-Five]]

Latest revision as of 13:21, 7 January 2022

The five great dharanis or more literally the five classes of great dharanis (Tib. གཟུངས་ཆེན་སྡེ་ལྔ་, zung chen dé nga, Wyl. gzungs chen sde lnga) — the Fifth Dalai Lama said that the most important relic of the dharmakaya (Wyl. chos kyi sku’i ring bsrel) in a stupa are dharanis.[1] In particular, Tibetan scholars, group together five classes of dharanis, which are inserted as dharmakaya relics. Jamgön Kongtrul explains that, whether elaborate or short, one kind of each of these five dharanis must be inserted in every stupa together with the Kriyayogatantra, Spotless Rays of Light (Skt. Raśmivimalā; Wyl. ’od zer dri med).[2]

  1. Ushnishavijaya (Skt. Uṣṇīṣavijayā; Tib. གཙུག་ཏོར་རྣམ་རྒྱལ་མ་, Tsuktor Namgyalma, Wyl. gtsug tor rnam rgyal ma) dharani
  2. Vimaloshnisha (Skt. Vimaloṣṇīṣa; Tib. གཙུག་ཏོར་དྲི་མེད་, Tsuktor Drimed, Wyl. gtsug tor dri med) dharani
  3. Guhyadhatu (Skt. Guhyadhātu; Wyl. gsang ba ring bsrel) dharani
  4. Bodhigarbhalamkaralaksha (Skt. Bodhigarbhālaṃkāralakṣa; Wyl. byang chub rgyan 'bum) dharani
  5. Essence of Dependent Origination dharani (Skt. Pratītyasamutpādahṛdaya; Wyl. rten 'brel snying po)

References

  • See Kunsang Namgyal Lama. "Tsha Tsha Inscriptions: A Preliminary Survey." In Tibetan Inscriptions: Proceedings of a Panel held at the Twelfth Seminar of the International Association for Tibetan Studies, Vancouver 2010. Edited by Kurt Tropper, Cristina Scherrer-Schaub. Leiden: Brill, 2013: 1 - 42.
  • Bentor, Yael. "On the Indian Origins of the Tibetan Practice of Depositing Relics and Dhāraṇī in Stūpas and Images." In Journal of the American Oriental Society, 115 (2), 1995: 248 - 261.
  • Bentor, Yael. "The Content of Stūpas and Images and the Indo-Tibetan Concept of Relics." In The Tibet Journal 28 (1-2), 2003: 21 - 48.

Notes

  1. Bentor Yael “On the Indian Origins of the Tibetan Practice of Depositing Relics and Dhāraṇī in Stūpas and Images,” in Journal of the American Oriental Society 115, (2), 1995: 254.
  2. Kunsang Namgyal Lama, "Tsha Tsha Inscriptions: A Preliminary Survey," in Tibetan Inscriptions: Proceedings of a Panel held at the Twelfth Seminar of the International Association for Tibetan Studies, Vancouver 2010, (Leiden: Brill, 2013): 25 - 26.