Kamalashila: Difference between revisions
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==Principal Writings== | ==Principal Writings== | ||
*[[Stages of Meditation]] (Skt. ''Bhāvanākrama'') | *[[Stages of Meditation]] (Skt. ''Bhāvanākrama'') | ||
*Commentary on the Difficult Points of the Ornament of the Middle Way (Skt. ''Madhyamakālaṅkārapañjikā''; Wyl. ''dbu ma'i rgyan gyi dka' 'grel'') | |||
*Light of the Middle Way (Skt. ''Madhyamakāloka''; Wyl. ''dbu ma snang ba'') | |||
[[Category:Historical Masters]] | [[Category:Historical Masters]] | ||
[[Category:Seventeen Nalanda Masters]] | [[Category:Seventeen Nalanda Masters]] | ||
[[Category:Indian Masters]] | [[Category:Indian Masters]] | ||
Revision as of 08:01, 13 June 2009
Kamalashila (Skt. Kamalaśīla; Tib. Pemé Ngang Tsul; Wyl. padma'i ngang tshul) (8th century) - This master was the main disciple of the great abbot Shantarakshita. He famously defeated a Chinese master of the Hashang school (whose personal name is sometimes given as Mahayana Hashang) in the great debate at Samyé, which took place around 846 AD, thereby ensuring that the Tibetans followed the Indian tradition of Madhyamika which had flourished at the great Nalanda Monastery. His most famous compositions are the three texts entitled Stages of Meditation, which H.H. the Dalai Lama has taught on several times.
Principal Writings
- Stages of Meditation (Skt. Bhāvanākrama)
- Commentary on the Difficult Points of the Ornament of the Middle Way (Skt. Madhyamakālaṅkārapañjikā; Wyl. dbu ma'i rgyan gyi dka' 'grel)
- Light of the Middle Way (Skt. Madhyamakāloka; Wyl. dbu ma snang ba)