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[[Image:21_taras-Salga.jpg|frame|The 21 [[Tara]]s painted by Salga''']]
[[Image:21_taras-Salga.jpg|frame|The 21 [[Tara]]s painted by Salga''']]
'''The Twenty-one Taras''' (Tib. སྒྲོལ་མ་ཉེར་གཅིག་, ''drolma nyerchik'', [[Wyl.]] ''sgrol ma nyer gcig'') find their origin in the famous [[Praises to the Twenty-One Taras]]. While the praise itself does not name or identify specific forms of Tara, various commentators have identified each of the 21 verses with one particular form of Tara. Thus, many of the prominent female Buddhist deities found their place amongst the 21 Taras, such as [[Sarasvati]], [[Ushnishvijaya]], [[Vajravidharana]], [[Kurukulla]] and [[Marichi]]. However, the traditions do not agree, but rather differ on the identification of which verse depicts which form of Tara. There are three main iconographic traditions that formed in Tibet:
'''The Twenty-one Taras''' (Tib. སྒྲོལ་མ་ཉེར་གཅིག་, ''drolma nyerchik'', [[Wyl.]] ''sgrol ma nyer gcig'') find their origin in the famous [[Praises to the Twenty-One Taras]]. While the praise itself does not name or identify specific forms of Tara, various commentators have identified each of the 21 verses with one particular form of Tara. Thus, many of the prominent female Buddhist deities found their place amongst the 21 Taras, such as [[Sarasvati]], [[Ushnishavijaya]], [[Vajravidharana]], [[Kurukulla]] and [[Marichi]]. However, the traditions do not agree, but rather differ on the identification of which verse depicts which form of Tara. There are three main iconographic traditions that formed in Tibet:


# Suryagupta school, depicting the 21 Taras as differing in all details such as posture, number of heads and hands, colour, implements and hand gestures.
# Suryagupta school, depicting the 21 Taras as differing in all details such as posture, number of heads and hands, colour, implements and hand gestures.
Line 35: Line 35:
#'''Yangchenma''' (''dbyangs can ma''; Skt. ''Sarasvatī'') for knowledge and [[wisdom]]
#'''Yangchenma''' (''dbyangs can ma''; Skt. ''Sarasvatī'') for knowledge and [[wisdom]]
#'''Sonam Chokter''' (''bsod nams mchog gter'') for the force of [[merit]]
#'''Sonam Chokter''' (''bsod nams mchog gter'') for the force of [[merit]]
#'''Tsuktor Namgyal''' (''gtsug gtor rnam rgyal''; Skt. [[Ushnishavijaya]]) for long life
#'''Tsuktor Namgyal''' (''gtsug gtor rnam rgyal''; Skt. ''Uṣṇīṣa-vijaya-tārā'') for long life
#'''Rikchema''' (''rig byed ma''; Skt. ''Kurukullā'') for magnetising people and wealth
#'''Rikchema''' (''rig byed ma''; Skt. ''Kurukullā'') for magnetising people and wealth
#'''Jikché Chenmo''' ('''jigs byed chen mo''; Skt. ''Mahābairavā'') for destroying the power of harmful influences
#'''Jikché Chenmo''' ('''jigs byed chen mo''; Skt. ''Mahābairavā'') for destroying the power of harmful influences

Revision as of 13:08, 14 January 2018

The 21 Taras painted by Salga

The Twenty-one Taras (Tib. སྒྲོལ་མ་ཉེར་གཅིག་, drolma nyerchik, Wyl. sgrol ma nyer gcig) find their origin in the famous Praises to the Twenty-One Taras. While the praise itself does not name or identify specific forms of Tara, various commentators have identified each of the 21 verses with one particular form of Tara. Thus, many of the prominent female Buddhist deities found their place amongst the 21 Taras, such as Sarasvati, Ushnishavijaya, Vajravidharana, Kurukulla and Marichi. However, the traditions do not agree, but rather differ on the identification of which verse depicts which form of Tara. There are three main iconographic traditions that formed in Tibet:

  1. Suryagupta school, depicting the 21 Taras as differing in all details such as posture, number of heads and hands, colour, implements and hand gestures.
  2. Nagarjuna and Atisha’s tradition, in which the 21 Taras are rarely distinguished except by colour, peaceful or wrathful expression, and the colour of the vessel that each holds in the left hand.
  3. Nyingma terma tradition of Jigme Lingpa and Chokgyur Dechen Lingpa depicting them as in Nagarjuna and Atisha’s tradition but of different colours and holding individual emblems on top of the lotus in the left hand, rather than vessels. Jikme Lingpa’s and Chokgyur Dechen Lingpa’s tradition differ only slightly from each other.

Suryagupta Tradition

  1. Tara, Swift and Gallant or Tara, Heroic (Skt. Tura-vīrā-tārā or Pravīra-tārā; Tib. sgrol ma myur ma dpa’ mo or sgrol ma rab tu dpa’ mo)
  2. Tara, White as the Autumn Moon or Tara, Brilliant Like the Moon (Skt. Śuklakānta-tārā or Candra-kānti-tārā; Tib. sgrol ma ‘od dkar can or sgrol ma zla mdangs)
  3. Tara, Golden Coloured (Skt. Kanaka-varṇa-tārā; Tib. sgrol ma gser mdog can)
  4. Tara, Crown Jewel of the Tathāgatas or Tara, Victorious Crown Jewel (Skt. Tathāgatoṣṇīṣa-tārā or Uṣṇīṣa-vijaya-tārā; Tib. sgrol ma de bzhin gshegs pa gtsug tor can or sgrol ma gtsug tor rnam rgyal ma)
  5. Tara, Resounding with Hung (Skt. Hūṃ-kāra-nādinī-tārā or Hūṃsvaranādinī-tārā; Tib. sgrol ma hUM sgra sgrogs ma)
  6. Tara, Victor Over the Three Worlds (Skt. Trailokavijaya-tārā; Tib. sgrol ma ‘jig rten gsum rgyal ma or sgrol ma khams gsum rnam rgyal ma)
  7. Tara, Destroyer or Tara, Crusher of Adversaries (Skt. Pramardinī-tārā or Vādi-pramardaka-tārā; Tib. sgrol ma rab ‘joms ma or sgrol ma rgol ba ‘joms ma)
  8. Tara, Destroyer of Mara or Tara, Destroyer of Mara and Bestower of Excellence (Skt. Māra-mardaneśvarī-Tārā or Māra-sūdanā-vaśitottama-da-tārā; Tib. sgrol ma bdud ‘joms dbang phyug ma or sgrol ma bdud ‘joms dbang mchog ster ma)
  9. Tara of the Khadria Forest or Tara, Granter of Wishes (Skt. Khadira-vaṇī-tārā or Vara-da-tārā; Tib. sgrol ma seng ldeng nags ma or sgrol ma ‘dod ster ma)
  10. Tara, Dispeller of Sorrow (Skt. Śoka-vinodanī-tārā; Tib. sgrol ma mya ngan sel byed ma)
  11. Tara, Summoner of Beings, or Tara, Summoner of Beings and Dispeller of Misfortune (Skt. Jagad-vaśī-tārā or Jagad-vaśī-cipannirbarhaṇa-tārā; Tib. sgrol ma ‘jig rten dbang sdud ma or sgrol ma ‘gro ba kun ‘gugs phongs pa sel ma)
  12. Tara, Light of Auspiciousness or Tara, Bestower of Prosperity (Skt. Maṅgalāloka-tārā or Kalyāna-da-tārā; Tib. sgrol ma bkra shis snang ma or sgrol ma bkra shis ster ma)
  13. Tara, Ripener (Skt. Paripācaka-tārā; Tib. sgrol ma yongs su smin byed ma)
  14. Tara, Furrowing Brown, or Tara, Summoner (Skt. Bhṛkuṭī-tārā or Vaśikaraṇa-tārā; Tib. sgrol ma khro gnyer can ma or sgrol ma ‘gugs ma)
  15. Tara, Great Peace (Skt. Mahā-śānti-tārā; Tib. sgrol ma zhi ba chen mo)
  16. Tara, Destroyer of Attachment (Skt. Rāga-niṣūdani-tārā; Tib. sgrol ma chags ‘joms ma)
  17. Tara, Accomplisher of Bliss (Skt. Sukha-sādhani-tārā; Tib. sgrol ma bde ba sgrub ma)
  18. Tara, the Victorious (Skt. Vijaya-tārā or Sitavijaya-tārā; Tib. sgrol ma rnam par rgyal ma)
  19. Tara, Burner of Suffering (Skt. Duḥkha-dahani-tārā; Tib. sgrol ma sdug bsngal sel byed ma or sgrol ma sdug bsngal bsregs ma)
  20. Tara, Source of Attainments (Skt. Siddhi-saṃbhava-tārā; Tib. sgrol ma nngos grub ‘byung gnas ma)
  21. Tara, the Perfecter (Skt. Pariniṣpanna-tārā or Pari-pūraṇa-tārā; Tib. sgrol ma yongs su rdzogs byed ma)

Nyingma terma tradition of Jigme Lingpa[1]

  1. Nyurma Pamo (myur ma dpa' mo; Skt. Turavīrā) for development of bodhichitta
  2. Yangchenma (dbyangs can ma; Skt. Sarasvatī) for knowledge and wisdom
  3. Sonam Chokter (bsod nams mchog gter) for the force of merit
  4. Tsuktor Namgyal (gtsug gtor rnam rgyal; Skt. Uṣṇīṣa-vijaya-tārā) for long life
  5. Rikchema (rig byed ma; Skt. Kurukullā) for magnetising people and wealth
  6. Jikché Chenmo ('jigs byed chen mo; Skt. Mahābairavā) for destroying the power of harmful influences
  7. Shyenkyi Mitupma (gzhan gyis mi thub ma) for protection from hailstorms and lightning
  8. Shyen Migyalwa (gzhan mi rgyal ba) for repelling blame
  9. Sengdeng Nakkyi Drolma (seng ldeng nags kyi sgrol ma; Skt. Khadiravaṇī Tārā) for protection from the eight great fears. (She is the main Tara, green in colour)
  10. Jikten Sumgyal ('jig rten gsum rgyal; Skt. Trailokavijayā) to have power over the world
  11. Nor Terma (nor ster ma) for dispelling poverty and granting good fortune
  12. Tashi Dönché (bkra shis don byed) for the auspiciousness of children, fame, rain and so on
  13. Drapung Jomma (dgra dpung 'joms ma) for victory in war
  14. Tronyer Chendze (khro gnyer can mdzad; Skt. Bhṛkuṭī) for protection from spirits
  15. Rabtu Shyiwa (rab tu zhi ma; Skt. Praśāntī) for purifying harmful actions
  16. Barwé Öchen ('bar ba'i 'od can) for dispelling spells and negative effects
  17. Pakmé Nönam (dpag med gnon ma) for protection from robbers, thieves, animals and hunters
  18. Mabja Chenmo (rma bya chen mo; Skt. Mahāmāyūrī) to protect from and neutralize poison
  19. Mipam Gyalmo (mi pham rgyal mo) for protection from quarrels and bad dreams
  20. Ritröma (ri khrod ma; Skt. Śabarī) for protection from epidemics
  21. Özer Chenma ('od zer can ma; Skt. Mārīcī) for restoring the spirits and energies of sick people

Alternative Lists

There are two alternative lists of the Twenty-one Taras from the Indian tradition: one from Suryagupta and one from Nagarjuna and Atisha, in which the names, form, colour or function of protection vary. In the Tibetan tradition there are also two lists, which derive from termas: one from Jikmé Lingpa and one from Chokgyur Lingpa.

Notes

  1. ↑ This list is from yum-ka mkha'-'gro'i nang-sgrub bde-chen snying-po'i gter-bum, based on a translation by Tulku Thondup.

Teachings Given to the Rigpa Sangha

Further Reading

  • Khenchen Palden Sherab and Khenpo Tsewang Dongyal, Tara's Enlightened Activity (Ithaca: Snow Lion, 2007)

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