Seventeen Nalanda Masters: Difference between revisions
Jump to navigation
Jump to search
No edit summary |
(→External Links: correcting per email) |
||
| (3 intermediate revisions by 3 users not shown) | |||
| Line 24: | Line 24: | ||
:At this time, when the whole world has witnessed tremendous advancement in the fields of science and technology, but we are also greatly distracted by the hustle and bustle of our hectic lives, it is crucially important for all of us who follow the Buddha to develop faith based upon an understanding of the Buddha’s Dharma teachings. Therefore we should investigate them, by analyzing and inquiring with an unbiased and inquisitive mind. If we are to develop this faith that is supported by understanding, the outstanding works of the profound and vast traditions composed by the masters universally renowned as the ‘Six Ornaments and Two Supreme Ones’, as well as others such as Buddhapalita and Arya Vimuktisena are indispensable. With this in mind, I commissioned the painting of a thangka depicting seventeen of the most learned and accomplished masters of Nalanda, adding nine other masters from the profound and the vast lineages to the traditional thangka arrangement for the Six Ornaments and Two Supreme Ones. | :At this time, when the whole world has witnessed tremendous advancement in the fields of science and technology, but we are also greatly distracted by the hustle and bustle of our hectic lives, it is crucially important for all of us who follow the Buddha to develop faith based upon an understanding of the Buddha’s Dharma teachings. Therefore we should investigate them, by analyzing and inquiring with an unbiased and inquisitive mind. If we are to develop this faith that is supported by understanding, the outstanding works of the profound and vast traditions composed by the masters universally renowned as the ‘Six Ornaments and Two Supreme Ones’, as well as others such as Buddhapalita and Arya Vimuktisena are indispensable. With this in mind, I commissioned the painting of a thangka depicting seventeen of the most learned and accomplished masters of Nalanda, adding nine other masters from the profound and the vast lineages to the traditional thangka arrangement for the Six Ornaments and Two Supreme Ones. | ||
== | ==Further Reading== | ||
* | *The Dalai Lama, ''The Middle Way: Faith Grounded in Reason'', Boston: Wisdom Publications, 2009, pp. 153-161 | ||
==Internal Links== | ==Internal Links== | ||
*[[A Prayer to Kindle the Three Kinds of Faith: The 17 Nalanda Panditas]] by [[His Holiness the Dalai Lama]] | *[[A Prayer to Kindle the Three Kinds of Faith: The 17 Nalanda Panditas]] by [[His Holiness the Dalai Lama]] | ||
==External Links== | |||
*{{LH|tibetan-masters/fourteenth-dalai-lama/seventeen-great-panditas-nalanda|''A Prayer to Kindle the Three Kinds of Faith Addressed to the Seventeen Great Panditas of Glorious Nalanda'' by His Holiness the Dalai Lama}} | |||
Latest revision as of 17:07, 25 June 2016
Seventeen Nalanda Masters — seventeen great Indian panditas who were associated with Nalanda monastery.
- Nagarjuna
- Aryadeva
- Buddhapalita
- Bhavaviveka
- Chandrakirti
- Shantideva
- Shantarakshita
- Kamalashila
- Asanga
- Vasubandhu
- Dignaga
- Dharmakirti
- Arya Vimuktisena
- Haribhadra
- Gunaprabha
- Shakyaprabha
- Atisha
In the colophon to a prayer addressed to these seventeen masters, His Holiness the Dalai Lama writes:
- At this time, when the whole world has witnessed tremendous advancement in the fields of science and technology, but we are also greatly distracted by the hustle and bustle of our hectic lives, it is crucially important for all of us who follow the Buddha to develop faith based upon an understanding of the Buddha’s Dharma teachings. Therefore we should investigate them, by analyzing and inquiring with an unbiased and inquisitive mind. If we are to develop this faith that is supported by understanding, the outstanding works of the profound and vast traditions composed by the masters universally renowned as the ‘Six Ornaments and Two Supreme Ones’, as well as others such as Buddhapalita and Arya Vimuktisena are indispensable. With this in mind, I commissioned the painting of a thangka depicting seventeen of the most learned and accomplished masters of Nalanda, adding nine other masters from the profound and the vast lineages to the traditional thangka arrangement for the Six Ornaments and Two Supreme Ones.
Further Reading
- The Dalai Lama, The Middle Way: Faith Grounded in Reason, Boston: Wisdom Publications, 2009, pp. 153-161
